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- Джеймс Джойс
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- Стр. 799/821
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An
ancient
haggadah
book
in
which
a
pair
of
hornrimmed
convex
spectacles
inserted
marked
the
passage
of
thanksgiving
in
the
ritual
prayers
for
Pessach
(
Passover
)
:
a
photocard
of
the
Queen
’
s
Hotel
,
Ennis
,
proprietor
,
Rudolph
Bloom
:
an
envelope
addressed
:
To
My
Dear
Son
Leopold
.
What
fractions
of
phrases
did
the
lecture
of
those
five
whole
words
evoke
?
Tomorrow
will
be
a
week
that
I
received
.
.
.
it
is
no
use
Leopold
to
be
.
.
.
with
your
dear
mother
.
.
.
that
is
not
more
to
stand
.
.
.
to
her
.
.
.
all
for
me
is
out
.
.
.
be
kind
to
Athos
,
Leopold
.
.
.
my
dear
son
.
.
.
always
.
.
.
of
me
.
.
.
das
Herz
.
.
.
Gott
.
.
.
dein
.
.
.
What
reminiscences
of
a
human
subject
suffering
from
progressive
melancholia
did
these
objects
evoke
in
Bloom
?
An
old
man
,
widower
,
unkempt
of
hair
,
in
bed
,
with
head
covered
,
sighing
:
an
infirm
dog
,
Athos
:
aconite
,
resorted
to
by
increasing
doses
of
grains
and
scruples
as
a
palliative
of
recrudescent
neuralgia
:
the
face
in
death
of
a
septuagenarian
,
suicide
by
poison
.
Why
did
Bloom
experience
a
sentiment
of
remorse
?
Because
in
immature
impatience
he
had
treated
with
disrespect
certain
beliefs
and
practices
.
As
?
The
prohibition
of
the
use
of
fleshmeat
and
milk
at
one
meal
:
the
hebdomadary
symposium
of
incoordinately
abstract
,
perfervidly
concrete
mercantile
coexreligionist
excompatriots
:
the
circumcision
of
male
infants
:
the
supernatural
character
of
Judaic
scripture
:
the
ineffability
of
the
tetragrammaton
:
the
sanctity
of
the
sabbath
.
How
did
these
beliefs
and
practices
now
appear
to
him
?
