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211
'
The
truth
is
that
I
need
the
stimulus
of
other
people
.
Alone
,
over
my
dead
fire
,
I
tend
to
see
the
thin
places
in
my
own
stories
.
The
real
novelist
,
the
perfectly
simple
human
being
,
could
go
on
,
indefinitely
,
imagining
.
He
would
not
integrate
,
as
I
do
.
He
would
not
have
this
devastating
sense
of
grey
ashes
in
a
burnt-out
grate
.
Some
blind
flaps
in
my
eyes
.
Everything
becomes
impervious
.
I
cease
to
invent
.
212
'
Let
me
recollect
.
It
has
been
on
the
whole
a
good
day
.
The
drop
that
forms
on
the
roof
of
the
soul
in
the
evening
is
round
,
many-coloured
.
There
was
the
morning
,
fine
;
there
was
the
afternoon
,
walking
.
I
like
views
of
spires
across
grey
fields
.
I
like
glimpses
between
people
's
shoulders
.
Things
kept
popping
into
my
head
.
I
was
imaginative
,
subtle
.
After
dinner
,
I
was
dramatic
.
213
I
put
into
concrete
form
many
things
that
we
had
dimly
observed
about
our
common
friends
.
I
made
my
transitions
easily
.
But
now
let
me
ask
myself
the
final
question
,
as
I
sit
over
this
grey
fire
,
with
its
naked
promontories
of
black
coal
,
which
of
these
people
am
I
?
It
depends
so
much
upon
the
room
.
When
I
say
to
myself
,
"
Bernard
"
,
who
comes
?
A
faithful
,
sardonic
man
,
disillusioned
,
but
not
embittered
.
A
man
of
no
particular
age
or
calling
.
Myself
,
merely
.
It
is
he
who
now
takes
the
poker
and
rattles
the
cinders
so
that
they
fall
in
showers
through
the
grate
.
"
Lord
,
"
he
says
to
himself
,
watching
them
fall
,
"
what
a
pother
!
"
and
then
he
adds
,
lugubriously
,
but
with
some
sense
of
consolation
,
"
Mrs
Moffat
will
come
and
sweep
it
all
up
--
"
I
fancy
I
shall
often
repeat
to
myself
that
phrase
,
as
I
rattle
and
bang
through
life
,
hitting
first
this
side
of
the
carriage
,
then
the
other
,
"
Oh
,
yes
,
Mrs
Moffat
will
come
and
sweep
it
all
up
.
"
And
so
to
bed
.
'
Отключить рекламу
214
'
In
a
world
which
contains
the
present
moment
,
'
said
Neville
,
'
why
discriminate
?
Nothing
should
be
named
lest
by
so
doing
we
change
it
.
Let
it
exist
,
this
bank
,
this
beauty
,
and
I
,
for
one
instant
,
steeped
in
pleasure
.
The
sun
is
hot
.
I
see
the
river
.
I
see
trees
specked
and
burnt
in
the
autumn
sunlight
.
Boats
float
past
,
through
the
red
,
through
the
green
.
Far
away
a
bell
tolls
,
but
not
for
death
.
There
are
bells
that
ring
for
life
.
A
leaf
falls
,
from
joy
.
Oh
,
I
am
in
love
with
life
!
Look
how
the
willow
shoots
its
fine
sprays
into
the
air
!
Look
how
through
them
a
boat
passes
,
filled
with
indolent
,
with
unconscious
,
with
powerful
young
men
.
215
They
are
listening
to
the
gramophone
;
they
are
eating
fruit
out
of
paper
bags
.
They
are
tossing
the
skins
of
bananas
,
which
then
sink
eel-like
,
into
the
river
.
All
they
do
is
beautiful
.
There
are
cruets
behind
them
and
ornaments
;
their
rooms
are
full
of
oars
and
oleographs
but
they
have
turned
all
to
beauty
.
That
boat
passes
under
the
bridge
.
Another
comes
.
Then
another
.
That
is
Percival
,
lounging
on
the
cushions
,
monolithic
,
in
giant
repose
.
No
,
it
is
only
one
of
his
satellites
,
imitating
his
monolithic
,
his
giant
repose
.
He
alone
is
unconscious
of
their
tricks
,
and
when
he
catches
them
at
it
he
buffets
them
good-humouredly
with
a
blow
of
his
paw
.
They
,
too
,
have
passed
under
the
bridge
through
'
the
fountains
of
the
pendant
trees
'
,
through
its
fine
strokes
of
yellow
and
plum
colour
.
The
breeze
stirs
;
the
curtain
quivers
;
I
see
behind
the
leaves
the
grave
,
yet
eternally
joyous
buildings
,
which
seem
porous
,
not
gravid
;
light
,
though
set
so
immemorially
on
the
ancient
turf
.
Now
begins
to
rise
in
me
the
familiar
rhythm
;
words
that
have
lain
dormant
now
lift
,
now
toss
their
crests
,
and
fall
and
rise
,
and
fall
and
rise
again
.
I
am
a
poet
,
yes
.
Surely
I
am
a
great
poet
.
Boats
and
youth
passing
and
distant
trees
,
"
the
falling
fountains
of
the
pendant
trees
"
.
I
see
it
all
.
I
feel
it
all
.
I
am
inspired
.
My
eyes
fill
with
tears
.
Yet
even
as
I
feel
this
,
I
lash
my
frenzy
higher
and
higher
.
It
foams
.
It
becomes
artificial
,
insincere
.
216
Words
and
words
and
words
,
how
they
gallop
--
how
they
lash
their
long
manes
and
tails
,
but
for
some
fault
in
me
I
can
not
give
myself
to
their
backs
;
I
can
not
fly
with
them
,
scattering
women
and
string
bags
.
There
is
some
flaw
in
me
--
some
fatal
hesitancy
,
which
,
if
I
pass
it
over
,
turns
to
foam
and
falsity
.
Yet
it
is
incredible
that
I
should
not
be
a
great
poet
.
What
did
I
write
last
night
if
it
was
not
good
poetry
?
Am
I
too
fast
,
too
facile
?
I
do
not
know
.
I
do
not
know
myself
sometimes
,
or
how
to
measure
and
name
and
count
out
the
grains
that
make
me
what
I
am
.
217
'S
omething
now
leaves
me
;
something
goes
from
me
to
meet
that
figure
who
is
coming
,
and
assures
me
that
I
know
him
before
I
see
who
it
is
.
How
curiously
one
is
changed
by
the
addition
,
even
at
a
distance
,
of
a
friend
.
How
useful
an
office
one
's
friends
perform
when
they
recall
us
.
Yet
how
painful
to
be
recalled
,
to
be
mitigated
,
to
have
one
's
self
adulterated
,
mixed
up
,
become
part
of
another
.
As
he
approaches
I
become
not
myself
but
Neville
mixed
with
somebody
--
with
whom
?
--
with
Bernard
?
Yes
,
it
is
Bernard
,
and
it
is
to
Bernard
that
I
shall
put
the
question
,
Who
am
I
?
'
Отключить рекламу
218
'
How
strange
,
'
said
Bernard
,
'
the
willow
looks
seen
together
.
I
was
Byron
,
and
the
tree
was
Byron
's
tree
,
lachrymose
,
down-showering
,
lamenting
.
Now
that
we
look
at
the
tree
together
,
it
has
a
combined
look
,
each
branch
distinct
,
and
I
will
tell
you
what
I
feel
,
under
the
compulsion
of
your
clarity
.
219
'
I
feel
your
disapproval
,
I
feel
your
force
.
I
become
,
with
you
,
an
untidy
,
an
impulsive
human
being
whose
bandanna
handkerchief
is
for
ever
stained
with
the
grease
of
crumpets
.
220
Yes
,
I
hold
Gray
's
Elegy
in
one
hand
;
with
the
other
I
scoop
out
the
bottom
crumpet
,
that
has
absorbed
all
the
butter
and
sticks
to
the
bottom
of
the
plate
.
This
offends
you
;
I
feel
your
distress
acutely
.
Inspired
by
it
and
anxious
to
regain
your
good
opinion
,
I
proceed
to
tell
you
how
I
have
just
pulled
Percival
out
of
bed
;
I
describe
his
slippers
,
his
table
,
his
guttered
candle
;
his
surly
and
complaining
accents
as
I
pull
the
blankets
off
his
feet
;
he
burrowing
like
some
vast
cocoon
meanwhile
.
I
describe
all
this
in
such
a
way
that
,
centred
as
you
are
upon
some
private
sorrow
(
for
a
hooded
shape
presides
over
our
encounter
)
,
you
give
way
,
you
laugh
and
delight
in
me
.
My
charm
and
flow
of
language
,
unexpected
and
spontaneous
as
it
is
,
delights
me
too
.
I
am
astonished
,
as
I
draw
the
veil
off
things
with
words
,
how
much
,
how
infinitely
more
than
I
can
say
,
I
have
observed
.
More
and
more
bubbles
into
my
mind
as
I
talk
,
images
and
images
.
This
,
I
say
to
myself
,
is
what
I
need
;
why
,
I
ask
,
can
I
not
finish
the
letter
that
I
am
writing
?
For
my
room
is
always
scattered
with
unfinished
letters
.
I
begin
to
suspect
,
when
I
am
with
you
,
that
I
am
among
the
most
gifted
of
men
.
I
am
filled
with
the
delight
of
youth
,
with
potency
,
with
the
sense
of
what
is
to
come
.
Blundering
,
but
fervid
,
I
see
myself
buzzing
round
flowers
,
humming
down
scarlet
cups
,
making
blue
funnels
resound
with
my
prodigious
booming
.
How
richly
I
shall
enjoy
my
youth
(
you
make
me
feel
)
.
And
London
.
And
freedom
.
But
stop
.
You
are
not
listening
.
You
are
making
some
protest
,
as
you
slide
,
with
an
inexpressibly
familiar
gesture
,
your
hand
along
your
knee
.