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"
Me
,
"
a
voice
reverberated
from
the
back
of
the
chapel
.
Mortati
and
the
others
turned
in
wonder
at
the
bedraggled
form
coming
up
the
center
aisle
.
"
Mr
.
Langdon
?
"
Without
a
word
,
Langdon
walked
slowly
to
the
front
of
the
chapel
.
Vittoria
Vetra
entered
too
.
Then
two
guards
hurried
in
,
pushing
a
cart
with
a
large
television
on
it
.
Langdon
waited
while
they
plugged
it
in
,
facing
the
cardinals
.
Then
Langdon
motioned
for
the
guards
to
leave
.
They
did
,
closing
the
door
behind
them
.
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Now
it
was
only
Langdon
,
Vittoria
,
and
the
cardinals
.
Langdon
plugged
the
Sony
RUVI
s
output
into
the
television
.
Then
he
pressed
Play
.
The
television
blared
to
life
.
The
scene
that
materialized
before
the
cardinals
revealed
the
Pope
s
office
.
The
video
had
been
awkwardly
filmed
,
as
if
by
hidden
camera
.
Off
center
on
the
screen
the
camerlegno
stood
in
the
dimness
,
in
front
of
a
fire
.
Although
he
appeared
to
be
talking
directly
to
the
camera
,
it
quickly
became
evident
that
he
was
speaking
to
someone
else
whoever
was
making
this
video
.
Langdon
told
them
the
video
was
filmed
by
Maximilian
Kohler
,
the
director
of
CERN
.
Only
an
hour
ago
Kohler
had
secretly
recorded
his
meeting
with
the
camerlegno
by
using
a
tiny
camcorder
covertly
mounted
under
the
arm
of
his
wheelchair
.
Mortati
and
the
cardinals
watched
in
bewilderment
.
Although
the
conversation
was
already
in
progress
,
Langdon
did
not
bother
to
rewind
.
Apparently
,
whatever
Langdon
wanted
the
cardinals
to
see
was
coming
up
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"
Leonardo
Vetra
kept
diaries
?
"
the
camerlegno
was
saying
.
"
I
suppose
that
is
good
news
for
CERN
.
If
the
diaries
contain
his
processes
for
creating
antimatter
"
"
They
don
t
,
"
Kohler
said
.
"
You
will
be
relieved
to
know
those
processes
died
with
Leonardo
.
However
,
his
diaries
spoke
of
something
else
.
You
.
"
The
camerlegno
looked
troubled
.
"
I
don
t
understand
.
"